Roberto Diana & Tri Nguyen – The Fourth Hour

Joining Roberto Diana on the single is Vietnamese born Tri Nguyen, rightly considered one of the most important and uniquely performing zither players. It is a combination that is remarkable, forthright, the same search for energy and commitment striding through each musician’s veins. It is a commitment that shows, for the classical world does not truly get represented in the way that was perhaps envisaged, hijacked by those to whom have no regard for the popularity of the piece when played with vigour and stirring observance.

This creative mix of Sardinian belief and oriental music is that original vigour in the modern-day setting, it is a force to which even those who might outwardly suggest that they don’t understand the mechanics of the symphony and the classical arrangement, can feel invigorating their veins with ease.

The Fourth Hour is a beautifully crafted piece that holds out with beauty in its arms.

From the first note “The Fourth Hour” by Roberto Diana and Tri Nguyen brings you “in” with a gentle, soulful and weighty chime. The project is a multilayered blend of strings and meeting of minds through thoughtful meditative musical conversation. The new yet familiar sounds conjure up visuals that remind us of home in a nostalgic colourful vignette. As with all well-designed recipes, the elements intermingle seamlessly into a perfectly balanced composite where boundaries are imperceptible and all that remains is the singular amalgamation.

I just heard The Fourth Hour. Intriguing! Two great artists each unfolding the mysticism in his respective instrument but merging into one sound that resonates from the soul. The Fourth Hour vibrates beyond our universe. Congrats Tri Nguyen and Roberto Diana, you both played as if you know one another from a past beyond the human perception.

I love the artistry and musicality of Roberto Diana and Tri Nguyen individually. But together, they are magic. They create a new sound.

Joining Roberto Diana on the single is Vietnamese born Tri Nguyen, rightly considered one of the most important and uniquely performing zither players. It is a combination that is remarkable, forthright, the same search for energy and commitment striding through each musician’s veins. It is a commitment that shows, for the classical world does not truly get represented in the way that was perhaps envisaged, hijacked by those to whom have no regard for the popularity of the piece when played with vigour and stirring observance.

This creative mix of Sardinian belief and oriental music is that original vigour in the modern-day setting, it is a force to which even those who might outwardly suggest that they don’t understand the mechanics of the symphony and the classical arrangement, can feel invigorating their veins with ease.

The Fourth Hour is a beautifully crafted piece that holds out with beauty in its arms.

From the first note “The Fourth Hour” by Roberto Diana and Tri Nguyen brings you “in” with a gentle, soulful and weighty chime. The project is a multilayered blend of strings and meeting of minds through thoughtful meditative musical conversation. The new yet familiar sounds conjure up visuals that remind us of home in a nostalgic colourful vignette. As with all well-designed recipes, the elements intermingle seamlessly into a perfectly balanced composite where boundaries are imperceptible and all that remains is the singular amalgamation.

I just heard The Fourth Hour. Intriguing! Two great artists each unfolding the mysticism in his respective instrument but merging into one sound that resonates from the soul. The Fourth Hour vibrates beyond our universe. Congrats Tri Nguyen and Roberto Diana, you both played as if you know one another from a past beyond the human perception.

I love the artistry and musicality of Roberto Diana and Tri Nguyen individually. But together, they are magic. They create a new sound.