Emphasis comes from a live experiment. In the last few years, I have decided to record every one of my concerts focused on improvisation. Listening to the recordings again I was able to extract the melodies and harmonies that made the spectators more emotionally involved. Emphasis is a work that arises from the involuntary participation of the spectators with the artist. "Be quiet. It's a lullaby" is a song that comes from various moments of lightness I had during concerts when you are one with the instrument, the place that surrounds you and the audience. The collection of these moments, overlapped on each other, has composed this track.

Dancing Lights is a song that has greatly involved the audience who listened to it during all the moments of its construction in concerts. I noticed that people let themselves be lulled by its repetitive structure and the slight sonic interferences. Dark Crystal Palace is a song that basically comes from a need. The need was to study in deep the thing of melody, distortion and their mix. Slow Downhill is a song born after I tripped on Mountain path. I thought if I could have slowed down that instant, maybe I would have liked it.